Caroline Louise Seidler was a German painter. She came on May 15, 1786 in Jena, the daughter of University equerry Seidel to the world. your teacher for painting Frederick Doell (Gotha), were Jacob Wilhelm Roux (Jena, incidentally, son of the Jena fencing master Heinrich Friedrich Roux)., Gerhard von Kügelgen (Dresden) and Johann Peter and Robert Langer (Munich) traveled to Italy and lived after her return in 1823 as court painter and art teacher until her death in 1866 in Weimar.
from their memoirs, we get the same out on one of the first pages a quick look at a fencing hall in the last decade 18th Century. She describes how she moved to domestic discord in her fifth year at the instigation of the mother to her grandmother. This falls short time later in financial trouble and needs help from the Duchess Anna Amalia, who is the grandmother and the young Louise Seidler accommodation in a former monastery.
from their memoirs, we get the same out on one of the first pages a quick look at a fencing hall in the last decade 18th Century. She describes how she moved to domestic discord in her fifth year at the instigation of the mother to her grandmother. This falls short time later in financial trouble and needs help from the Duchess Anna Amalia, who is the grandmother and the young Louise Seidler accommodation in a former monastery.
"In this building were connected with my earliest memories [...] The dark, mysterious exterior of our antique monastery always pulled me in particular, not less remarkable for my children's mind was who he was. Long corridors connected the rooms, which led to her grandmother even a stone spiral staircase!
This monastery also houses a fencing hall, Louise Seidler gets occasionally seen.
"from the plaster room this serious, very dignified and formal woman (meaning grandmother, author's note) I was using a Schiebefensterchens the view into a wide hall, which served the students to the fencing floor. The walls of it were decorated with large portraits of old, long-lost rotten men in costume;. it was the portraits of former academic fencing master stiff they looked down on the noisy bustle of a younger generation to their feet, which blithely thirds and fourths, or encountered a wooden horse vaulting, which stood in the middle of the room. "
is on the same fencing at other times, she recalls, from students Schiller's" Robbers "listed.
From:
Goethe painter: the memoirs of Louise Seidler. Edited by Sylke merchant. Aufbau Taschenbuch Verlag, 2003.
From:
Goethe painter: the memoirs of Louise Seidler. Edited by Sylke merchant. Aufbau Taschenbuch Verlag, 2003.
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