Brazilian: Charlotte Nc

From the memories of Louise Seidler: a look at a fencing hall

Caroline Louise Seidler was a German painter. She came on May 15, 1786 in Jena, the daughter of University equerry Seidel to the world. your teacher for painting Frederick Doell (Gotha), were Jacob Wilhelm Roux (Jena, incidentally, son of the Jena fencing master Heinrich Friedrich Roux)., Gerhard von Kügelgen (Dresden) and Johann Peter and Robert Langer (Munich) traveled to Italy and lived after her return in 1823 as court painter and art teacher until her death in 1866 in Weimar.

from their memoirs, we get the same out on one of the first pages a quick look at a fencing hall in the last decade 18th Century. She describes how she moved to domestic discord in her fifth year at the instigation of the mother to her grandmother. This falls short time later in financial trouble and needs help from the Duchess Anna Amalia, who is the grandmother and the young Louise Seidler accommodation in a former monastery.

"In this building were connected with my earliest memories [...] The dark, mysterious exterior of our antique monastery always pulled me in particular, not less remarkable for my children's mind was who he was. Long corridors connected the rooms, which led to her grandmother even a stone spiral staircase!

This monastery also houses a fencing hall, Louise Seidler gets occasionally seen.

"from the plaster room this serious, very dignified and formal woman (meaning grandmother, author's note) I was using a Schiebefensterchens the view into a wide hall, which served the students to the fencing floor. The walls of it were decorated with large portraits of old, long-lost rotten men in costume;. it was the portraits of former academic fencing master stiff they looked down on the noisy bustle of a younger generation to their feet, which blithely thirds and fourths, or encountered a wooden horse vaulting, which stood in the middle of the room. "

is on the same fencing at other times, she recalls, from students Schiller's" Robbers "listed.

From:
Goethe painter: the memoirs of Louise Seidler. Edited by Sylke merchant. Aufbau Taschenbuch Verlag, 2003.

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Johann Andreas Schmidt - a fencing master of the early 18th Century

Johann Andreas Schmidt in his fencing hall in Nuremberg 1713th In the background, students can practice fencing, vaulting and wrestling. From: "body-Beshir Mende and foes defiance bidder fencing art", 8 Art.lib.III, 76, Thuringian University and State Library

Johann Andreas Schmidt was a fencing master of the early 18th Century. The art of fencing, he should have learned, among other things to break in Johann Georg Amsterdamm . Later he taught himself then as a fencing master in Nuremberg, then in Hildburghausen, in Bayreuth, again in Nuremberg, Stuttgart and finally in Tübingen, where he also died.

In Nuremberg, he was as free by the city of Nuremberg ordered fencing and retreat master his lessons. He taught there, the citizens and patricians, and their sons in the art of fencing. He also had some barons, who were traveling for a time in Nuremberg, to its customers. During his tenure at Bayreuth in 1721 he was master of fencing margravial pages at the court of Georg Wilhelm von Brandenburg-Bayreuth. About his teaching activities in the former residence of Hildburghausen as well as his employment in Stuttgart (1728 or 1729) and in the university town of Tübingen is no more than the aforementioned known.

Johann Andreas Schmidt's major work is a book about the fencing to edge and blow, and the vaulting and wrestling. It is titled "Body-Beshir Mende and foes defiance bidder fencing art; Or challenge to light and accurate statement on impact and cutting neatly and safely; addition to a Curieuse lessons from vaulting gestellet rings and / Clearly and thoroughly described and / Darzu associated with clean / subscribed to the action / Kupffer in the light. " 1713 the book in Nuremberg by Johann Christoph Weigel was moved. At least six times since it was launched again in 1780 on two occasions (in Nuremberg and Leipzig).

The Nuremberg scholar-Lexicon (Part 7) provides us with some anecdotes from the life of Johann Andreas Schmidt.

In 1712 he reportedly because of a bet by 10 ducats six strong farmers from a pub in Hagenhausen (a district of Altdorf, near Nuremberg) thrashed out. That he is armed only been with a stick.

was also rumored to him that if he struck with the knuckles of his fist on an oak table, it lagged behind the ankle imprints of his own.

The last story is about his attitude as a page fencing master in Bayreuth in 1721. The Frankish Principality of Bayreuth was ruled at the time of Georg Wilhelm von Brandenburg-Bayreuth (1678-1726). That had participated in the English war, and returned from the ravaged (critically injured in the battle of Landau) and decorated using high (three-time Field Marshal in Franconia, Poland and the Reich) back. In his home throughout his Bayreuth promoted Georg Wilhelm Life a variety of construction activities. So he did during his reign the suburb of St. Georgen, build the castles of Emperor hammer and Their Garden, the Hermitage and Chateau Neustädtlein. In that Georg Wilhelm von Brandenburg-Bayreuth, who was also a war veteran and patron of the arts, Johann Andreas Schmidt fought in 1721 in the vestibule of the royal hall to the sample with two fencing masters and disarmed in the fighting each of the two several times by Ligaden. Then he got from the enthusiastic Marquis immediately replace fencing master as a page with a salary of 1,000 guilders.

Sore Spots On Stomach

A new beginning

I come here today to share with you something, which this year has started for me.

had 3 years ago I painted in the study of the zodiac and the 12 holy nights, a picture which I had later here set.

Actually I had this morning only planned to draw an animal circle of virtues as specified in Robert Powell in ' Cosmic Dance of the Zodiac .

But after I finished, had seemed like the whole thing still empty, still not quite finished, yet extensible, so I have the picture from 3 years ago there are now added in a changed form.

And now the whole thing looks like this:



This image can now be much more present and available than it was in the first.
Unfortunately, you can see the qualities in the individual zodiac signs here in the photo
.

only once as an example of the assignments of the five-star:

Aries: Devotion (right foot) but not exaggerated as subservience (left hand)
with
confidence (left foot ) but not exaggerated as arrogance (right hand)
will
sacrifice power. then

When I wanted to look in "flower of life" Part 2, I construct the eye may be correct and not just draw, I found this:



(Source: " Flower of Life "Part 2, S.300) shows

it as akurrat the Pyramids of Giza, along with the now destroyed Giza complex located on a spiral. This spiral there that has its origin not in the center of the zodiac. In this respect I'm still not arrived, then, and the journey can always go further.

also Originally there has yet to be another exactly opposite spiral that led out into the desert.

Another picture, on which will be shown a way how the "male" and "female" are spiral unite, which provided Volume 1 of "Flower of Life" .



(Source: "Flower of Life" Part 1, p. 223)


it for today.
all I have not currently express.